10 Top Tips To Consider When Purchasing A Digital Camera

July 3rd, 2009

A digital camera is an electronic device to transform images into electronic information. New digital cameras are typically multifunctional and the same device can take pictures, video and audio.

Many digital cameras can connect directly to a computer to transfer data. Early cameras used the PC serial port. USB is the most commonly used method, though some have a Firewire port or use Bluetooth. Some cameras are able to attach to computer networks wirelessly via Wi-Fi.

Here are 10 top things to consider when looking to purchase a digital camera: -

1. Price: This can vary from around $100 to upto $10,000 for a high end professional camera. You can buy one with good resolution and options for under $600. Ones with more manual control settings can be found for around $600-2000 dollars, usually suited to serious amateurs.
2. Resolution: To print good quality color photos at the standard film sizes 4″x6″ or 5″x7″ you′ll need a 1-2 megapixel camera. If you are printing as large as 8″x10″ then you′re going to need a higher resolution around 2-3 megapixels.
3. Viewfinder: Low-end digital cameras provide an optical viewfinder while more expensive ones replace the viewfinder with a LCD (Liquid Crystal Display). Look towards purchasing one with an LCD display. Kodak make digital cameras with superb displays so have a look at those.

4. Focus: Most cameras are either fixed-focus or autofocus which is suitable for the average digital camera user. With a fixed-focus lens everything from a few feet to infinity is in focus. The only problem with this is when shooting pictures up close. Autofocus will automatically bring whatever is in the centre of the viewfinder into focus.
5. Storage: Many cameras come with a small memory card, but if you want to take lots of pictures or footage, it is a good idea to check whether what is supplied is enough. Chances are it won′t be, so look at how much a new ‘decent’ capacity memory card etc is going to cost for that particular model.
6. Compression: If you want the highest possible image quality, look for a camera that will let you save pictures in “CCD raw mode” which means with no compression at all.
7. Batteries: It is important to get a camera that will accept rechargeable batteries. There are three varieties of batteries available Nickel Cadmium (NiCad), Nickel-Metal Hydride (NiMH) and Lithium-ion (Li-ion or LiOn). A camera may accept only one or two kinds of batteries so be sure to find out what kind.
8. Power Saving: To save battery power, use a camera that accepts an AC adaptor.
9. Interface: If you are interested in maximum speed you should keep your eyes open for cameras and card readers that support FireWire
10. Video Output: This can be invaluable for presentations. If you would like to do this, look for a camera with a video-output terminal. It allows you to display your pictures on a TV or projector.

Article by David Crossley of digitalcamerasinfozone.com digitalcamerasinfozone.com ( All the information you need on buying your next digital camera )

African Art for Sale

July 3rd, 2009

Africa is a land of various traditions and cultures. It consists of many small towns and villages with inhabitants belonging to different tribes and clans. Moreover, since it is a traditional land, many arts evolve due to the cultural and regional variations. The inhabitants, who are mostly poor, create art and sell it for a living. This is one of the reasons why we see many African art works for sale.

African arts for sale may be in the form of masks, pottery, sculpture, knives, spears, hats or breathtaking jewelry. They are made of materials that are locally available like wood, or they may be made of expensive material like bronze, gold, ivory etc. Although there are many pieces of art that fetch a good price, the manner in which African art is kept for sale is important.

African art is usually sold at local bazaars within the country to tourist on vacation. They are also available in antique stores all over the world. Moreover, the artists who make these pieces also have their own shops and outlets to sell their art.

Today, to make people aware of different cultures and traditions prevalent in Africa, the Ministry of Tourism and the Government that sell African Art sponsor many museums and art galleries. In this way, not only do they help the economic development of African inhabitants, but they also spread a sense of public appreciation for African art.

Due to the fast growth of technology, African art can be sold through the Internet too. The sellers have their own websites through which they operate, allowing viewing and purchasing in just a short time.

e-AfricanArt.com African Art provides detailed information on African Art, African Tribal Art, African Wildlife Art, African American Art and more. African Art is affiliated with e-AbstractArt.com Abstract Art Paintings.

Review: Medications - All Your Favorite People In One Place

July 3rd, 2009

One of the most intriguing aspects of music is how easily it can transform one’s mood. The right notes, at the right tempo, and all of a sudden, BAM! You’re in a good mood. This 3 piece from Washington, DC knows exactly how to pull this off. Consisting of members of the now defunct band “Faraquet”, Medications oddly enough, sounds a lot like Faraquet. It’s peculiar how a band consisting of the same musicians can sound very similar. After the Faraquet breakup 2 of the founding members created Medications and while the sound is very similar, the new third wheel does add some new elements into the mix. A mere 6 months since the release of their Medications EP, they have returned with their first full length Your favorite people all in one place available now on Dischord.

While the music on this album does sound a lot like Faraquet and the Medications EP, the quirky time signatures and awkward vocal lines are quickly becoming a thing of the past, the songwriting maintains that same dry, yet clever feel, but it seems the band is slowly trying to forge a new identity. The album begins with Surprise! Which is arguably the single greatest opening track of all time, starting off as every 70s rock concert ended, a solid 4/4 beat with ascending guitars and thundering drums. Any band that has the guts to open their disc with a rock and roll finale gets extra points from me.

The production and dumbed down songwriting of this album is slightly disappointing, unless of course you are a classic rock fan. You can clearly hear the influence of early rock bands like Led Zeppelin, both on the production, and the songwriting. With drumming that is very evocative of Bonzo and very thin, vintage guitar tones. The album, just as the EP and all Faraquet material before it, has a very raw and uncut feel to it. Not raw in the St. Anger “we didn’t even try” sense, but more along the lines of a live recording, the band sounds tight, but you can still pick out the playing nuances of each member, giving the band a very ‘real’ sound. If you’re sick of pro-tools albums, this just might fit your prescription. (Pun intended, zing)

I think the classic rock influence shines strongest on the albums 9th track, I am the Harvest the opening feedback drops into a guitar riff that just screams Jimmy Page from miles away. You can almost see the band performing it in your head, after nearly 2 minutes of introduction guitar noodling, the vocals finally enter and the guitar takes a much needed break. The drumming really takes over on this track, as the guitar feedbacks during the verses and allows the drums and bass to dictate the rest of the song.

Your favorite people all in one place may not be a bold step into uncharted territory for this DC trio, but there’s nothing wrong with a slow evolution. The music is solid and the band still appeals to their core fans while managing to remain fresh and interesting.

Overall: 7.1

Chris Elkjar is the founder of ‘trust.me’ an online music magazine for the enthusiast. He spends all of his spare time immersed in music, be it writing reviews, interviews with leading bands or writing his own music.

For more of his writing, check out trust-me.ca/ Trust-Me.ca - Music for robots

Digital Camera Flash Units

July 2nd, 2009

Digital cameras flash units come in many shapes and sizes. Low end digital cameras include low energy built in flash units. High end digital SLR cameras can support sophisticated external flash units which can provide superior lighting in difficult scenarios. Here are some basic facts about flash units both built in and external.

Flash units came a long way since their early days. Back then flash units were using powder that was lit by electrical current and literally “blew up” to produce the light energy. Using these flash units was a risky business. It was also difficult as the flash units were not automatically synchronized to the camera’s shutter. The photographer had to make sure that the flash goes off at the exact right time synchronized with the shooting of the photo.

Nowadays flash units are sophisticated technology devices. They use an electronic flash tube that is automatically synchronized to the camera. The photographer merely needs to do nothing. New digital cameras can decide on their own if the flash is needed, they can set its intensity and other parameters and they can fire the flash at the exact right time when the shutter is opened. All this is done automatically in the background. Digital camera also provide the user with the ability to manually control the flash, force it to either fire or not to fire, set its intensity and more.

Flash units are divided into two categories: Internal built-in flash units or external flash units. Internal flash units are built into the camera. Almost all digital cameras include such a unit and allow the user some control over it through the camera’s menus and buttons. External flash units are attached to the camera’s body through a dedicated slide-in slot or by using an electrical cable. Not all digital cameras support external flash units. Usually the lower end pocket cameras do not allow external flash units while all high end digital SLR cameras do allow such external flash units. External flash units can vary a lot. They can have different light energy levels that they can emit and different mechanical characteristics. Some external flash units also include smart sensors to measure ambient light, distance and other optical parameters in order to optimize the flash effect.

Digital cameras can use their flash units in automatic or in manual mode. In automatic mode the camera measures ambient light and fires the flash when not enough ambient light is available. Sometimes the camera will make the wrong decision as to using the flash and will either fire or not fire the flash when the opposite was needed. Setting the flash intensity is important too. If the flash unit fires too much light energy on objects that are too close to the camera the digital photo will be washed out. On the other hand if the flash unit fires a small amount of light energy on an object that is farther away from the digital camera the digital photo will be a too dark.

Flash units have limitations too. They can not light any scene and any object at any distance from the camera. It is important to know your flash unit limitations. For example check what the maximum light energy that it can emit is and what the farthest that an object can be effectively lit from. This is also known as the effective flash range. If the object is out of the effective flash range it is actually better to turn off the flash altogether and use a tripod with a longer exposure. Sometimes it is useful to use the flash even if there is enough ambient light. In such cases you can manually force the camera to fire the flash. This is also known as fill-in flash as it is usually used to fill-in shadowed areas on objects in the digital photo.

Ziv Haparnas is a technology veteran and writes about practical technology and science issues. This article can be reprinted and used as long as the resource box including the backlink is included. You can find more information about photo album printing and photography in general on printrates.com printrates.com - a site dedicated to printrates.com photo printing.

Movie Gift Certificates: A Lifesaver

July 2nd, 2009

Not so long ago I did something I shouldn’t have. Bored with the drudgery of the searching for, and then the buying of, a gift for a friend I decided to take a short break, well a 91 minutes excluding adverts break. But it gave me an idea. If you are anything like me you’ll enjoy going to the movies, I’m talking about the big screen. You head out with the wife and kids for a nice, stress free, entertaining show. Now you can lounge back in your seat with a massive tub of butter-soaked popcorn and a large soft drink. Now does that sound ideal or what? Of course it does! We all love the movies, and we especially love viewing them in a large theatre. There’s just something to be said about a mammoth screen and wall-shaking surround sound. Now, since we’ve established that we all enjoy films, this next part should go without saying. You need a gift for your friend’s birthday, but you’re not certain what to get. No problem! It’s high time to purchase some movie gift certificates. Who wouldn’t love those? I’ll tell you who; some reclusive, back-woods, quiet-type serial killer. That’s who. Ok, maybe that’s a touch extreme, but you what I’m getting at? The point is we all love the movies.

Have you got any idea where to find movie gift certificates? Well that’s not difficult, just hop onto your home computer. These days you can accomplish it all with your laptop and high-speed Internet connection. You’ve surely heard of Fandango. It always has those horribly corny ads. You know the ones that typically play before your movie begins? Well actually Fandango has more to do with getting your tickets prior to heading off to the theatre. Anyway, you can buy movie gift certificates online anytime. Using virtually any search engine that you care to name, just type in your keywords it’s as easy as that. Oh and, just a word of advice before you put yourself into debt by invest in loads of movie gift certificates consider who you’re buying for first. Where do they live? What theatres are in his/her area? This is crucial when it comes to purchasing movie gift certificates. Not everyone lives near particular entertainment distributors. I am referring to the folks that are affiliated with each movie theatre. Sometimes it’s Carmike, sometimes it’s Regal, and it could be others. Therefore it’s not advisable to purchase movie gift certificates for Regal cinemas, if your friend only lives near Carmike cinemas. Get the picture? No pun intended there. So get online and narrow your search for movie gift certificates to their area. You never know, they might be so pleased with the gift that they take you along with them, then everyone’s a winner.

Alan Paterson is a writer for The Shopping Guru website. If you would like to see more shopping related articles please visit the-shopping-guru.com the-shopping-guru.com

Romancing San Francisco [Chapter one plus, Introduction: Sammies Bar]

July 2nd, 2009

Introduction
[1966-67]

I was twenty years old, and we all talked about the “Cat”, at our dojo in St. Paul, Minnesota. Especially during the cold two winters I studied GoJo Kai karate on ‘Cat,’ because of his ‘Cat Stance’. He was a 10th degree black belt in Japan. We all heard about him and our instructor who was a 2nd degree black belt had studied Karate in Japan during his Army tours, as he called them.

I was a green belt back then; –the belts go, white, green, brown, purple and black –or so they did in St. Paul, in San Francisco, there was no such thing as a ‘Purple’, belt. In any case, several times I got thinking and talking to Jim about traveling to San Francisco —-where Gosei Yamaguchi opened up his Karate Studio in the early 60’s. He was the oldest son to Gogen Yamaguchi, the Cat, and was putting together an International, National and regional karate organization at the time I arrived in San Francisco. The Cat was a legend in his own time, and Gosei was like Bruce Lee, 6th degree, and unbeaten, at least in my eyes. We had heard he had beaten Yamamoto, a karate man who had killed a man once, and who had broken the horns off of bulls that challenged him; or maybe it was the other way around. But these were stories, rumors, no one knew for sure, or for that matter, how to sort the truth from the legends.

Chuck Skinner, our instructor had never met either Gosei or Gogen, but he talked about them enough. And the more Jim talked to me about going to San Francisco, the more we both became convinced to go. Finally we came up with a plan, –Jim would go first to San Francisco, with his family, find a job, apartment, and get to know Goesi, and I’d follow a month later, and I could stay with him and we’d both study under Master Yamaguchi. It sounded excellent we shock hands and waited for the day to arrive.

٭

Romancing San Francisco

Sketches of Life In
San Francisco in the Late Sixties

Chapter One

Sammie’s Bar

The Castro Area
[San Francisco]

◊

I had many difficulties the first six weeks in San Francisco, my friend from Minnesota wanted me to leave his house because I got poison oak. I went to a hotel, and had run out of money, down to one silver dollar so I ate at the mission. Then Gosei Yamaguchi, my karate instructor offered me to live in the dojo [the dojo being the gym] and so I ended up living there in and teaching in the morning karate to kids, and in the evening being instructed by one of the greatest karate masters in the world, Gosei, –and drinking at night in the Castro district. What I didn’t know was, I would get an unquenchable thirst for this new life I was entering into, and it would be a romance of sorts, but not with any certain person, rather with the city itself, San Francisco.

I had found a bar I liked in particular, about three blocks away from the dojo. After everyone was gone in the evening in the dojo, I’d step out and walk down among the busy district lights, with its overpowering charm, and go into the semi-crowed bar called: “Sammie’s”. It was not much of a bar, a lot of smoke inside, and a few drunks, many men, and a few women; –an older couple, Mr. and Mrs. Palace was quite friendly with me. I liked talking to them. I also enjoyed eating the free sandwiches, and chili they always had –couldn’t figure it out, a small dingy bar, with so many people, and two male bartenders, –Ted and Joe. They seem to work well together though. They were quite colorful in their delightful way in managing the bar, and its customers, always so approachable. The people who frequented the bar seem to be for the most part, the same customers each evening, and all quite well mannered, quiet and friendly, even the few drunks that fell to sleep now and then followed this pattern. I never thought it too strange though. Maybe because this was one of the first places that reminded me of home somewhat, even though I was only twenty, I had been drinking in the bars back home for sometime.

Outside the bar was a crowed commercial area; along with a real live cable car up the block. There were also several bars cramped into a square eight block area, a few cloth stores, a small grocery store down the block, and a movie theater: –up the block on Main Street was that street car again [I was talking about] it went downtown, or if going in the other direction, it went under a bridge and out toward the University; –when I was about six, I remember them street-cars in St. Paul, but they had got rid of them since, so this was a novelty for me [I made sure I rode on them purposely], and along side that was the main street that went down town San Francisco, or what I called downtown. I had stayed in the hotel down there, the Freemont for a week, with my poison oak I had acquired across the bay up on some damn hill, while resting one afternoon and absorbing the beautiful sun; — the hotel broke me, it got too be pretty expensive and my money run out, and I lucked out I guess one might say, when I got to stay at the dojo.

At the dojo, I slept on the sofa in the main lobby, and in the back of the building, within the dojo, was a stove and refrigerator, I occasionally used. Gosei would put a five or ten spot [dollar bill] under my pillow about once or twice a week, when he came in early the next morning, I’d be sleeping, but I’d kind of wake up when he’d do that. When I got up, he’d ask, “You eating all right,” and I’d say yes, I didn’t want to complain, I was there on my own free will, yet, I was a little ashamed I had to take the money. But I had also learned a lesson a year earlier, while traveling and living in Seattle for a month. I had run out of money, and had no one to help me with the food thing, consequently, I learned quickly about hunger, and it was not an option not eat, you had to. Therefore, I found a job but it didn’t pay for two weeks, and so I had to beg, borrow and almost stole candy from a boy selling it door to door as a Boy Scout, but I didn’t; I just allowed myself to get more hungry while in Seattle, that is. I did not want to be in that situation again, here in San Francisco.

Goesi would go to his semi-enclosed office behind the tall thin counter; –which was the first thing people saw when they came through the doors, and up the twenty plus steps to reach the top, and there the desk would be, and Lorenzo, whom I got to know quite well, would greet you. He was a light mulatto, and his wife a black woman, a first degree black belt. Lorenzo had been studying karate for some thirteen years when I had met him, yet had no colored belt, he said he never took one but as I got to know him, he was as good as any black belt.

The toilet in the dojo was fine, clean, but no shower, and so I just wiped myself clean daily, although a few of my karate friends were letting me know I was not smelling all that great.

It was summer time and the city was wide open with life, charm, it was a colorful playground for the new generation, the ‘Love Generation’, the ‘Flower People,’ —-life in San Francisco was as if there was a fest going on everywhere. The pulse of the city was going wild; two-hundred beats a minute.

At “Sammie’s” no one seems to get too much out of place, that is, no one caused trouble, I liked it because of that. Furthermore, it seemed like I came to the city just at the right time, summer was warm and the parks were filled with people, and bands were in every big or small park throughout the city. Everyone smoking pot, everyone but me that is, I was drinking. I had been down to Hayed Asbury Street, a week ago, by myself at night with a wine bottle in my hands, and you couldn’t walk: –everyone, everywhere, asking if you wanted a joint or whatever, everyone with white and/or decorative colored shirts, with randomly selected hats of every color and type, — and pants with patches and holes —-more moccasins than shoes where being displayed on the feet of the inhabitants. In some of the more discolored corners of the archways to the buildings as I walked the street, you would get the whispers of whatever you wanted, it was for sale. This was of course a daily thing, meaning, night or day, for I had been there a few times during the day also. Some of the hippies were quite grimy looking, my age. I thought them to be lost at the time in this marvelous Saint Hood of a city. But in a like manner, so was I.

At Sammie’s bar, most of the people didn’t seem to be of the hippie type, or even with the times, more settled in one might say, or for some odd reason that is how I recognized it, even good old Mr. and Mrs. Palace seemed to be content with avoiding the trend and the times of the day; and again, –Joe, the older man [bar tender] always looked at me with a forked-look, as if he had swallowed a frog, and Ted, the thinner of the two, was more business like and said very little to me, or for that matter, spoke only when need be. But my thoughts on the matter were simple, people are different, let it be.

I walked down toward the center of this section of the city [Castro], not too far, yet south of the city was an old church, Dolores street was there also, and the way to the downtown area was a few blocks to the North. Over to the East was where I had started working, a place called Lilli Ann, a dress designer outfit. Adolph Shuman owned the place to my understanding, and had his name on many of the labels attached to the cloths. I had not seen him yet, but I was told he’d show up at the most unexpected times, and was told to just keep out of his way, by my boss Mr. Arthur Blair from England, a dress designer. I think he had a few undesirable run-ins with him. I had soon found out that Lilli Ann was one of the most famous women’s clothing outfits in the world. I’d sometimes have to go down to the fur room, have to bring some furs to the women working, they were beautiful, each time I did this, I seem to have been under a watchful eye until they got to know me better, that is.

The clothing was exceptionally well done, suede, faux mink, other fabrics like mohair wool, etc. I would live to find out, some thirty-five years down the road that Lilli Ann cloths would outlive itself; –and remain world famous. In addition, I would have a dress made for my mother, the women liked me there and so they were kind enough to use their spare time to make the dress for me, and I needed only to buy the fabric. It was worth $85, more than a week’s wages for me. Two other times people asked me to ask the women to make dresses for them, when they found out they did it for me, and they again, made them for me twice more, but then I stopped asking, feeling I was abusing my friends, and the people asking were abusing me. I would also meet Mr. Shuman, the multi-millionaire four times. As I looked back I was always bumping in to history in the making.

It was a warm, friendly and pleasant evening, for the most part I was about to venture downtown but decided to go back to the bar at the last minute. There I walked in, took my jacket off, and sat on one of the stools. It was a long bar, like back in the days of Jessie James, with tables to my back.

“What’re you having again,” asked Ted.

“Tap beer, as usual.”

“You got it…” said Ted.

A woman somewhat drunk at the end of the bar was checking me out, or so it seemed. The beer went down my insides like a cool breeze refreshing my every pore, on this warm evening. The girl was pretty, but she didn’t really seem to be too interest in me, only curious for some odd reason. I smiled, and she returned it, and started talking to one of the men standing by her at the bar. And so, unabated I went on day-dreaming, drinking and smoking.

I sat thinking about how my karate adventure to travel some 2000-miles and meet one of the great masters of karate, one of the best in the world, and possible somewhere along the line I might get to meet his father the ‘Cat’, Gogen Yamaguchi, was a thrill of a lifetime. I ordered another beer, looking at the girl at the end of the bar again –before I fell back into my day-dreaming state.

I thought about San Francisco, how I was getting to know the city, and she was starting to belong to me: –along with this new era, the place and especially this bar. I felt alone at times, yet, not lonely, inasmuch as, anyone might, had they left their home behind them. It pained me to think had I not gone on this venture I might have lost out on a golden opportunity, that is to say, one I might look back at in thirty-five years and say, ‘Yaw, that’s where it all started.’ I had always felt a little lost, but better to be lost than sad.

٭

I had not made love to a girl yet, –that is, not in the last six weeks I had been here in San Francisco. Maybe I was leading up to it. I had met two girls at the dojo: one Japanese girl called Kikuyu, very pretty, but she had it for Buck I think, my 4th degree black belt friend. Every time he and I were by them she ended up floating on air, not sure if Buck took note of that. And Karen her girlfriend, whom was too bare for me I felt, liked me. Wasn’t that the luck of the draw? I would have liked to have changed girlfriends with Buck, but felt, leave well enough alone. First Buck wasn’t really interested in her, and second, I had learned that when a woman was interested in one person, that was it, he could be with fifty other guys in a naked group, and she’d wait for him to emerge.

As I ate my ham and cheese sandwich, Joe asked me if I wanted to go to a party which he was having in two weeks, writing his address down, he pushed it over towards me on the bar.

“We’re having Oysters,” he said, adding “Ted and Mr. and Mrs. Palace would be there [knowing I liked them], so try to be there.”

“If I can make it Joe, I will … [hum] thanks.” He gave me that look again but this time the look entailed the cat eating the mouse.

I finished my sandwich, drank down my 5th beer, paid the bill and readied myself to leave the bar.

“Thanks again, Joe for the invitation,” I said as I walked out the door, back down the street, taking a right to go up the hill, and another right to go up a second hill. The dojo was in the middle of the second hill, Collingswood.

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com

Bagpipe Lessons In Your Own Home !

July 2nd, 2009

Bringing Bagpipe Tuition to Everyone, Everywhere.

I have been teaching music for many years and always thought that there must be a better way of reaching more people who have a desire to learn a musical instrument but who have no idea of how to go about it.

People who live in remote areas. People who do not know of anyone who teaches their desired instrument in their area. People who might think that they may be thought of as “odd” for wishing to learn a particular instrument.

I teach bagpipes and have been a professional piper for many years as a competitor and as entertainer. Of course, I am Scottish! In between piping commitments, I have always taught young and old folks with a desire to learn properly. But, people are only willing to travel so far, for their weekly lesson and so we, as teachers are limited to the area that we can cover.
A few years ago, I put together a tuition programme for the complete beginner that took all the jargon out of learning and explained it all in simple language.

I then created a tutorial book with all the techniques needed to play properly. And put all the cotent on cd.

I then recorded an audio cd to explain and demonstrate everything on the tutorial cd.

I then recorded a video cd, showing my hands in close-up so that the student could see exactly what was needed.
Now I had the complete tuition course for the bagpipes. I advertised it on my website and sales have been very good with orders coming in from all over the world.

Still, I was not 100% happy. I was not reaching enough people. So I decided to try a new approach to teaching.

Live web conferencing or video conferencing where there can be many people online at any one time who, are all at the same stage of learning and can gain by watching and listening to the way others are progressing or are having a hard time. The competitive element really works.
There can now be people interacting with me from all over the world. The play for me and I can tell them what they are doing right/wrong and can demonstrate how to do it properly.

The feedback I have had so far has been really positive with people willing to pay between $20 and $50 for a one hour lesson.
I am hoping to start this type of tuition at the beginning of April and would welcome any comments or suggestions that might be of some benefit to me or my students.

Please join me on my website: learn2pipe.com www.learn2pipe.com

I can be contacted by e-mail at: mailto:enquiries@learюpipe.com enquiries@learюpipe.com

Telephone : 44(0)1239 711868

Cellphone : 07751014474

Thank you for taking the time to read this short article.

Pipe Major Robert R. Pinkman.

Pipe Major Robert R. Pinkman Has been a professional piper since the age of 13. Innitially taught by members of the family, at the age of 12 he was tutored by Captain John McLellan at Edinburgh Castle, which also housed the British Army School of Bagpipe Music, famous for excellence the world over. Bobby, as he is known, is a successful solo-ist and Pipe Major having competed and entertained all over the world. He started teaching in his local area and was soon stuggling to keep up with demand so, he developed his website and tuition programme on a series of cd’s, tutor book, audio & video. He then realised that people needed a personal touch and came up with the idea of video conferencing. Feedback has been great and the live tuition is due to start April 1st.

Choosing the Best Astrologer for You

July 1st, 2009

Nearly everyone reads their horoscope from time to time. But those of us who have an even deeper interest in astrology are drawn to seek out more in depth information. Having an astrologer look at, and explain, your birth chart can often help you better understand yourself and the choices you have made will make in the future.

But with so many astrologers out there, how do you choose the right one for you?

Yes, experience is important, but…

If you had the opportunity to bring ten experienced astrologers together to examine your chart, there would be no mistake that, for the most part, they would interpret the chart exactly the same way. What makes them all different is the way in which they communicate what they are seeing.

Finding an astrologer whose “voice”—whose style of communicating—is one that resonates with you is the most important thing when choosing an astrologer.

Think about what kind of style would most appeal to you. Do you want an astrologer who speaks in very technical astrological terms or one that is able to translate things into very basic, simple descriptions and doesn’t bombard you with jargon? Do you prefer an astrologer who takes a very serious and cerebral approach, or one that sees astrology from a more creative and mystical perspective?

Some astrologers combine chart interpretation with counseling. You are encouraged to bring up an ongoing issue you are having in your life so the astrologer can pinpoint it in your chart and help you see you have the capability to change things. This can be beneficial when you have been dealing with a problem for a long time and you need a fresh outlook.

Other astrologers do no counseling whatsoever and prefer to only describe your astrological characteristics. This is beneficial during the times in your life when you’re doing self-examination and want to get an even more detailed understanding of who you are.

Beforehand, know what your needs are and what you want out of an astrology reading. This will help you to better find an astrologer that can accommodate you.

While seeking out an astrologer who has decades of experience has its benefits, if you don’t feel you are on the same wavelength as him/her, you will get very little out of the experience.

How do you find the best astrologer for you?

Many astrologers have Web sites on which they offer free weekly or monthly horoscopes, free articles and astrology tutorials. In the past couple of years, astrologers have begun to offer podcasts, Web radio shows and downloadable audio. Pay attention to those astrologers who have gone the extra mile to, not just give of their talents freely, but those who share their passion for astrology. Spend a few weeks reading (or listening) to their words. This is how you can best get a sense of whether their style is one that will be of use to you.

Don’t fall into the trap of believing if someone is a well-known astrologer, has been published or has made TV or radio appearances they are better than others. The key is to choose an astrologer who you feel a connection with.

After getting a sense of an astrologer based on their Web presence, request a brief phone conversation with them. Be mindful of the vibe you are picking up and how this person leaves you feeling. Like any other kind of service you seek out to help make your life better, the person you are working with should do their best to ensure you feel empowered after the session. Ask the astrologer to explain their technique and take note if what they are saying feels like it could be of value to you.

Finding, and working with, the right astrologer for you can truly be a life-altering experience. It’s worth taking the time to seek one out.

Wendy Wallace is an intuitive counselor offering sessions which combine psychic reading, life coaching and counseling all to help heal your mind, body, and spirit. What changes might you make in life if you could know what the future holds? Sign up for a chance to win a free session. Gain the insight you need. ifyoucouldknow.com Ifyoucouldknow.com

Common Sense Tips For Better Travel Photographs

July 1st, 2009

When you have free time to travel to any of the beautiful locations of your choice, your camera and your knowledge of how to use it will be the difference of having beautiful visual memories to reflect on forever, or to experience the disappointment of lost memories.

There are so many wonderful places to travel to around the world, and for most of us it can be a once in a lifetime experience. It is wonderful to have photographs as seen through your own eyes to relive those times over and over.

Most of us nowadays have a digital camera to record our travels and they are fairly easy to use, usually just a point and shoot method. But many people forget small basic steps that can lead to disaster and lost photographic opportunities.

Simple things like not having spare batteries or making sure their rechargeable batteries are charged. Making sure to have more than one memory card in case one has a problem or you get caught up in the moment and take too many photographs. Not having your owners manual with you to explain a possible error message from your camera and how to fix it, or how to do an advanced photography technique that you may not be able to do in automatic mode.

Try to make sure you have had the camera for a while and are fairly familiar with it, you will be gambling if you go with a brand new camera that you are not familiar with.

When you are traveling and on different tours you do not always have a lot of time to compose and capture your images, so knowing your camera and being ready will prevent you from missing great photographs.

When taking your photographs, you do not want to point your camera into the sun unless you want a silhouette effect. Always try and have the sun or light source behind you to get the best results.

When photographing people in a scene try and photograph them in the shade otherwise they will be squinting and the photographs
will have too much contrast.

Try and use objects in front of the camera to show perspective. Along with your beautiful landscapes try and pick a subject within the landscape as a motif. A small mini tripod is also a great piece of equipment to take low light or night photographs.

These are just a few small tips to insure that your travel photographs are as close to the real thing as possible. Enjoy your travels and return to relive them again in photographs.

Ed Mercer and his wife Sue are professional photographers and studio owners. They have been in the business for 30 years. Samples of their work can be seen at:

travelphotographysecrets.com travelphotographysecrets.com

mercerphotography.com mercerphotography.com

photoshopsolutions.com photoshopsolutions.com

Putin the USA in Place

July 1st, 2009

Russian President Vladimir Putin

Has become bold in addressing

The world famous hypocritical nation

On Saturday February 10th, 2007

He blamed U.S. policy for inciting

Other countries to seek nuclear weapons

To defend themselves from America′s

“almost uncontained use of military force.”

Self-righteous and justifying of course

Their imperialism as a war on terrorism.

The stinging attack underscored

Growing disagreements and tension

Between Moscow and Washington.

“Unilateral, illegitimate actions

Have not solved a single problem,

They have become,” said Putin

“a hotbed of further conflicts.”

Speaking at the Munich Conference

On Security Policy and defense.

Certainly war comes at an expense

Eventually allies too have enough

Disagree, push back, and get gruff

The White House won’t always get fluff

A downplay of erroneous, dubious intel

Though George Tenet says “slam dunk.”

Thank God someone has some spunk

To not be intimidated and speak up

To President Bush and the Bushit

Global instability, Bush caused it

Cousin Marvin’s security couldn’t prevent it

Let’s not keep sugar coating it

Denying and dancing around it

Putin has clearly seen and stated it

“One state, the United States,

Has overstepped its national borders

in every way.” Now others must pay.

Iraqi innocents are losing their lives

American soldiers go home in body bags

Displaced, unemployed Iraqis now fight

Simply to survive and stay alive

Tens of thousands have fled to Syria

Bush’s war team has caused hysteria

The global balance must return

And be put back in place

God raise up more like Putin

To get in America’s face.

Lest we go on in dire disgrace.

Paul Davis is a FL real estate professional, life coach (relational & professional), worldwide minister, and change master.

Paul is the author of several books including Breakthrough for a Broken Heart; Adultery: 101 Reasons Not to Cheat; Are You Ready for True Love Stop Lusting & Start Living; Waves of God; Supernatural Fire Poems that Propel the Planet; and God vs. Religion.

Paul’s compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul has served in many war-torn, impoverished and tsunami stricken regions of the earth. His Dream-Maker Inc. is building dreams, breaking limitations & reviving nations.

Paul’s Breakthrough Seminars inspire, revive, awaken, impregnate with purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Contact Paul to minister, speak at your event or for life coaching: mailto:RevivingNations@yahoo.com RevivingNations@yahoo.com, 407-284-1705.